Loris Gréaud was born in 1979, lives and works in Eaubonne, close Pariss. He is a well-known artist whose practice creates through long-term ventures, continually captivating in deleting the limits we follow amongst fiction and reality. His works and presentations can be viewed as the prompt and important appearances of his undertakings and include a wide range of mediums, for example, design, painting, establishment, video or execution. His approach tends to offer new modalities of appearance for fine arts, and in addition better approaches for displaying and distributing art.
The exhibitions of Loris Gréaud
Loris Gréaud has developed a solitary direction and expanded universal acknowledgement since his first solo show, the Silence Goes More Quickly When Played Backwards curated through Caroline Bourgeois at Le Plateau, Paris in 2005.
He was then the primary craftsman to be allowed the entire space of the Palais de Tokyo, Paris, in 2008 on the event of the main occurrence of his venture Cellar Door which continued developing through various historical centers on the world. He is likewise the main craftsman who has shown mutually in the Musée du Louver and in the Center Georges Pompidou in Paris with the globally acclaimed twofold display venture in 2013.
In 2015, he assumed control over the entire exhibition space of the Dallas Contemporary gallery (United States) with the yearning venture The Unplayed Notes Museum. In 2016, he created a particular venture Sculpt for Los Angeles County Museum of Art, his first significant solo show on the west coast of the United States.
The task continues creating, with for instance the screening of a restrictive variant of the film at Teatrino di Palazzo Grassi on the event of the 74th Mostra – Venice International Film Festival (Italy) in 2017. He additionally opened an undertaking in Murano (Italy) The Unplayed Notes Factory, curated by Nicolas Bourriaud, which rapidly turned into an unquestionable requirement see on the event of the 57th version of Biennale di Venezia.
The Unemployed Notes
The Unplayed Notes (2012-2017) is the title given to a progression of undertakings outlined by Loris Gréaud. Regardless of whether they are building situations in display spaces; the speculation of an establishment immediately facilitating a substitute powerful history Museum whose official opening prompts a ruinous execution consequently delivering a contemporary infection or a dark creation line whose reason for existing is to shape a genuine scene vivant.
The Unplayed Notes doesn’t intend to interface places and foundations yet rather endeavors to feature the space that lies between works of art, to show a range of goals, accounts, whose direction and connecting way make a radical new ordeal. Resisting portrayal and categorisation, The Unplayed Notes continues scrutinizing the workmanship space and exposes the porosity which stays amongst the real world and fiction.
Following 5 long periods of advancements and precisely organized examinations, the project draws its final gasp and cuts off with the enlivening of an alchemical factory which is by all accounts stuck inside a strange space-time.